Grazian-Archive Document List
Synopses of all Documents
Contact & Links & Sitemap
History and Political Science
World War II: 1000 love letters of Jill & Al
Governing the World: Radical Globalism
World Catastrophes & Quantavolutions
Systems of Political & Social Science
Al's Autobiography &Journals
The Art Colony: Mab, Brunk, Gaietto...
Projects,Inventions, & Supra-publishing
ALFRED DE GRAZIA`s WEBSITES
THE SCIENCE AND VALUES OF ADMINISTRATION
DISCOVERING NATIONAL ELITES
RECONSTRUCTING AMERICAN HISTORY
THE CHICAGO MAYORAL ELECTION OF 1955
POWER AND ELECTIONS OVER THE MILLENNIA IN CHINA
THE AMERICAN STATE OF CANAAN
RECONSTRUCTING THE UNITED NATIONS
KALOTICS: Srategy for World Survival
KALOTICS: Metropolis 1976
KALOTICS: 40 Stases & Theses
A SHORT INTRODUCTION TO QUANTAVOLUTION
THE QUANTAVOLUTION SERIES OF BOOKS
ENCYCLOPEDIA OF QUANTAVOLUTION AND CATASTROPHE
QUANTAVOLUTION AND SOLARIA BINARIA (Italian)
THE LAST DAYS OF VELIKOVSKY
THE ABRUPT ORIGIN OF LANGUAGE
THE AMERICAN WAY OF GOVERNMENT
THE ELEMENTS OF POLITICAL SCIENCE: VOLUME 1: POLITICAL BEHAVIOR
THE ELEMENTS OF POLITICAL SCIENCE: VOLUME 2: POLITICAL ORGANIZATION
THE ELEMENTS OF POLITICAL SCIENCE: ... translated into Vietnameese ...
THE APPLIED SCIENCE OF EQUALITY
OPERATIONS IN THE SOCIAL SCIENCES
A NEW SOLUTION TO THE AMERICAN PRESIDENT ELECTION CRISIS !
SUPPORTING ART AND CULTURE: 1001 Questions on Culture Policy.
POLITICS FOR BETTER OR WORSE
INSTRUCTION MANUAL for Politics for Better or Worse
LECTURES TO THE CHINESE ABOUT AMERICA
SEE ON AMI DE GRAZIA’S QUIDDITY SITE: The Amazons Choice
BULLETIN OF THE UNIVERSITY OF THE NEW WORLD
HOW ORAL SEX SAVED CAPTAIN DRYFUS
LAST HOURS OF THE ABBEY CASSINO
MATILDA`S LOVE FOR KING AND POPE
A HOLOCAUST OF `MEIN KAMPF`
DI COME IL SESSO ORALE SALV IL CAPITANO DREYFUS
LE ULTIME ORE DELL' ABBAZIA DI MONTECASSINO
L'AMORE DI MATILDE PER LÆIMPERATORE E PER IL PAPA
AUTOBIOGRAPICAL SCETCH OF ALFRED DE GRAZIA
THE JOURNALS OF ALFRED DE GRAZIA
THE 1000 LOVE LETTERS OF 'JILL+AL'
CONTINUITY AND INNOVATION IN REFERENCE RETREIVAL IN THE SOCIAL SCIENCES
THE PERSONAL ARCHIVE: ON RETRIEVING VALUABLE CULTURAL RESOURCES
DUKE ELLINGTON BOULEVARD (in French)
THE LAST DAYS OF VELIKOVSKY
"HILLPEOPLE RAP BAND" of Chris de Grazia
HISTORY & POLITICAL SCIENCE
WORLD CATASTROPHES & QUANTAVOLUTIONS
SYSTEMS OF POLITICAL SCIENCE
POETRY, NOVELS, AESTHETICS
PROJECTS, INVENTIONS, & SUPRA PUBLISHING
THE WAY OF 'Q'
(16 Volumes+Concordance on CD)
RECONSTRUCTING THE AMERICAN HISTORY
WORLD WAR II - THE 1000 LOVE LETTERS OF JILL & AL
A QUANTAVOLUTION ANNIVERSARY T-SHIRT
THE LATELY TORTURED EARTH
THE DISASTROUS LOVE AFFAIR
OF MOON AND MARS
RECOLLECTION OF A FALLEN SKY
DIE VELIKOVSKY AFFAIRE
(Deutsche bersetzung)
ironageofmars.metron-publications.com
radlof.metron-publications.com
canaan51usa.wordpress.com
canaanblog.americanstateofcanaan.com
A Portrait of the Publisher as a young Man
An Interview with Jean Genet
Interview - Talk with Edward de Grazia April 1992
Allen Ginsberg, Norman Mailer, Barney Rosset
Diversion from the Criminal Process
Equal Political Defamation for All
Freeing Literary and Artistic Expression During the Sixties
How Justice Brennan Freed Novels and Movies During the Sixties
Humane Law and Humanistic Justice
Murder Madness and the Law
Robert Ramspeck et al Petitioners Vs Federal Trial Examiner
The Distinction of Being Mad
In The Caged Panther's Eye
The Handsome Young Soldier
Three Target Pieces for theatre, church, gallery
Moses and His Electric Ark - Essay in MIDSTREAM Magazin - November 1981
ACT ONE
SCENE 1
TONY:
(The stage is round. All is words, bodies and light. TONY is sitting on the
edge of the stage, close to the public.)
TONY: Now, I am getting into the heart of my subject. The heart and the
flesh. Don't let me get off it. Don't let me move out on a tangent. Don't
let me wander off. Hold me down. Keep me on track. I was talking about
boats.
About wanting a boat.
A boat.
It's like wanting a woman.
I mean, a woman.
These people there (pointing into the audience), are my parents. They want
me to have a boat. They have always wanted me to have what I want as
well as what they want. My dad's a doctor. On Long Island. I had a
catboat when I was nine. In the Bay. I had other boats. Boats were always
what I wanted, I mean, one thing I really wanted very much, always, were
boats. As a kid.
I've sailed on rented boats, in the Sound. In the Caribbean. In the Aegean
Sea. I'm a good sailor. I'm getting my own boat now. Second hand, but
custom made. From a stockbroker. I'm a businessman. I import things
from Italy, shoes, etc., like my grandfather did, but I'm doing better at it.
I've done very well, and it's time, it's high time in my life that I get my
own, big boat.
My parents are happy with that. Ishtar is happy with that. I should say,
Ishtar isn't against, why should she be, she likes sailing, she's not crazy-
mad about it, but we have the money, she would want a boat just to make
me happy, she has done a few things in her life for no other reason but to
make me happy. Because, I believe, Ishtar loves me, so even if a boat isn't
exactly what she wants most in life, she'll go along with the boat.
Ishtar wants a baby.
When the time has come when you can have your own boat, here in New
York harbor, when this time has come, it's no use postponing any longer, I
mean, decently, you can't, it's time to have the baby. We've been married
eight years. My parents also want the baby. And, honestly, I want the
baby. Why on earth wouldn't I want our baby? She wants it, Ishtar wants
it, she has not been tanning my hide over the years with this matter, she is
a thoughtful, lovely woman, she has waited until I was ready to have the
boat, I suppose she's been ready for a while already, although she hasn't
made a big fuss about it, she trusted me to bring up the matter some day,
oh, it's not that it was taboo, that we never mentioned it, we mentioned it,
it seems to me, all the time, like when she said: why on earth did X and Y
make a baby if they couldn't get along in the first place, you don't make a
kid to patch things up - that one we pondered a lot, she said:
(there, ISHTAR enters, discreetly, barefoot, and sits at first in the
background)