Grazian-Archive Document List
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History and Political Science
World War II: 1000 love letters of Jill & Al
Governing the World: Radical Globalism
World Catastrophes & Quantavolutions
Systems of Political & Social Science
Al's Autobiography &Journals
The Art Colony: Mab, Brunk, Gaietto...
Projects,Inventions, & Supra-publishing
ALFRED DE GRAZIA`s WEBSITES
THE SCIENCE AND VALUES OF ADMINISTRATION
DISCOVERING NATIONAL ELITES
RECONSTRUCTING AMERICAN HISTORY
THE CHICAGO MAYORAL ELECTION OF 1955
POWER AND ELECTIONS OVER THE MILLENNIA IN CHINA
THE AMERICAN STATE OF CANAAN
RECONSTRUCTING THE UNITED NATIONS
KALOTICS: Srategy for World Survival
KALOTICS: Metropolis 1976
KALOTICS: 40 Stases & Theses
A SHORT INTRODUCTION TO QUANTAVOLUTION
THE QUANTAVOLUTION SERIES OF BOOKS
ENCYCLOPEDIA OF QUANTAVOLUTION AND CATASTROPHE
QUANTAVOLUTION AND SOLARIA BINARIA (Italian)
THE LAST DAYS OF VELIKOVSKY
THE ABRUPT ORIGIN OF LANGUAGE
THE AMERICAN WAY OF GOVERNMENT
THE ELEMENTS OF POLITICAL SCIENCE: VOLUME 1: POLITICAL BEHAVIOR
THE ELEMENTS OF POLITICAL SCIENCE: VOLUME 2: POLITICAL ORGANIZATION
THE ELEMENTS OF POLITICAL SCIENCE: ... translated into Vietnameese ...
THE APPLIED SCIENCE OF EQUALITY
OPERATIONS IN THE SOCIAL SCIENCES
A NEW SOLUTION TO THE AMERICAN PRESIDENT ELECTION CRISIS !
SUPPORTING ART AND CULTURE: 1001 Questions on Culture Policy.
POLITICS FOR BETTER OR WORSE
INSTRUCTION MANUAL for Politics for Better or Worse
LECTURES TO THE CHINESE ABOUT AMERICA
SEE ON AMI DE GRAZIA’S QUIDDITY SITE: The Amazons Choice
BULLETIN OF THE UNIVERSITY OF THE NEW WORLD
HOW ORAL SEX SAVED CAPTAIN DRYFUS
LAST HOURS OF THE ABBEY CASSINO
MATILDA`S LOVE FOR KING AND POPE
A HOLOCAUST OF `MEIN KAMPF`
DI COME IL SESSO ORALE SALV IL CAPITANO DREYFUS
LE ULTIME ORE DELL' ABBAZIA DI MONTECASSINO
L'AMORE DI MATILDE PER LÆIMPERATORE E PER IL PAPA
AUTOBIOGRAPICAL SCETCH OF ALFRED DE GRAZIA
THE JOURNALS OF ALFRED DE GRAZIA
THE 1000 LOVE LETTERS OF 'JILL+AL'
CONTINUITY AND INNOVATION IN REFERENCE RETREIVAL IN THE SOCIAL SCIENCES
THE PERSONAL ARCHIVE: ON RETRIEVING VALUABLE CULTURAL RESOURCES
DUKE ELLINGTON BOULEVARD (in French)
THE LAST DAYS OF VELIKOVSKY
"HILLPEOPLE RAP BAND" of Chris de Grazia
HISTORY & POLITICAL SCIENCE
WORLD CATASTROPHES & QUANTAVOLUTIONS
SYSTEMS OF POLITICAL SCIENCE
POETRY, NOVELS, AESTHETICS
PROJECTS, INVENTIONS, & SUPRA PUBLISHING
THE WAY OF 'Q'
(16 Volumes+Concordance on CD)
RECONSTRUCTING THE AMERICAN HISTORY
WORLD WAR II - THE 1000 LOVE LETTERS OF JILL & AL
A QUANTAVOLUTION ANNIVERSARY T-SHIRT
THE LATELY TORTURED EARTH
THE DISASTROUS LOVE AFFAIR
OF MOON AND MARS
RECOLLECTION OF A FALLEN SKY
DIE VELIKOVSKY AFFAIRE
(Deutsche bersetzung)
ironageofmars.metron-publications.com
radlof.metron-publications.com
canaan51usa.wordpress.com
canaanblog.americanstateofcanaan.com
A Portrait of the Publisher as a young Man
An Interview with Jean Genet
Interview - Talk with Edward de Grazia April 1992
Allen Ginsberg, Norman Mailer, Barney Rosset
Diversion from the Criminal Process
Equal Political Defamation for All
Freeing Literary and Artistic Expression During the Sixties
How Justice Brennan Freed Novels and Movies During the Sixties
Humane Law and Humanistic Justice
Murder Madness and the Law
Robert Ramspeck et al Petitioners Vs Federal Trial Examiner
The Distinction of Being Mad
In The Caged Panther's Eye
The Handsome Young Soldier
Three Target Pieces for theatre, church, gallery
Moses and His Electric Ark - Essay in MIDSTREAM Magazin - November 1981
May 5, 1964 9 AM
A propos of Jessie's gloom this AM --
No parent can emerge from his child's adolescence unscathed.
May 30, 1964 AM
Rise and Roar
Arise and Writhe
Get up and Gloom
Sit up and Sing
Mozart's String quartet, "The Hunt," cantering along chirping the sweet honey days of
stay-in-place peasants and gallant light cavalry.
With whom should the musician communicate? With whom the painter? With whom
the poet? Or even the scientist? Or everyone!
Freedom is the ability to communicate with an audience of one's own choosing.
Man is wretchedly far from this idea. He doesn't see it either:
-- He is conservative, in which event he says: How wonderful the old days -- when a
Mozart could be supported by a nobility and write his beautiful music.
-- He is anarchistic and says; How dreadful to have to communicate! I create only to
please myself.
Mozart was pathetic because he had to write for one audience. True, many artists, not
conscious and bent upon freedom, will see in any job, liberty. Who could bring forth in olden
days the pure conception of freedom as that of choosing one's communicants? The solipsist
who creates for a world of himself, like Mozart, will find unconsciously in art the profound
expression of others than himself, like Mozart's nobility. For we are all noble and like such
music and all can be caught up even by the universal that laces through a revelry of self-expression.
Still more true and controlled and therefore more free is the artist who says: I speak to
whom I please, and I please to speak to such-likes. If I please others, so be it. Thus it is that
the love-poem sung to a One is not absurd -- it is logical and truly free art. If we all do not
like it for not being universal and eternal, we need not like it but we are not correct if we give
other reasons.
May 30, 1964
Sketch for an ironic speech
Oratio contra Hebrai
by Herman Sheffler
1. "The Jews claim too much.
In the arts
In medicine
In religion
2. "Truth is that none of these so-called Jews were Jews." Moses, Freud, Proust, Bernstein,
etc.
3. In fact, there is no such thing as a Jew (Sheffler is now carried away by himself.)
4. (But he recovers) Therefore
"It's a lousy Jew trick to assert that Jews exist!"
* * * * *
May 31, 1964 Sunday Princeton 9 AM
"Creatics": The Invention of Invention
Creatology: Science of Invention of Invention
There is need for a discipline that will bring together all aspects of control over
creation, invention, innovation.